L’Écho du temps awarded Grand Prix du Livre France Musique 2026
The French edition of Time’s Echo has been recognized by Radio France.
The French edition of Time’s Echo has been recognized by Radio France.
Time’s Echo appeared this year in multiple new translations.
Recognizing books “that have contributed significantly to interpretations of the intellectual and cultural condition of humanity.”
Introducing “After Silence”
Concluding a chapter at the Boston Globe, and starting up a new position at Tufts University
A new role with the LPO, which has devoted its 2024-25 season to exploring the connections between music and memory.
A new role at Toronto's Royal Conservatory of Music
“A groundbreaking achievement in memorial history.”
“A work of extraordinary power, beauty and human feeling.”
“Jeremy Eichler’s Time’s Echo is the outstanding music book of this and several years.”
“We were stunned by its profundity, its masterful structure, its beautiful shimmering sentences. It's evidently a life's work, a labor of love, and a testimony to the pain of war. It has an utterly unique voice, and it warrants being classed as a masterpiece of nonfiction writing.”
“A work of vast historical scholarship and acute musical insights.”John Adams, The New Yorker
“This historically primed masterpiece is a joy to read. I cannot recommend it highly enough.”Gramophone
“The most impressive debut of a cultural critic in years.”Samuel Moyn, Yale University
Pulitzer Prize-winning critic Lloyd Schwarz on the festival’s debut.
On Sunday, October 8th, the jury of the UK’s premier nonfiction prize announced its shortlist of six titles.
The Baillie Gifford Longlist Interview
The recognition comes from Europe's iconic street paper, which advocates for, and is sold by, those experiencing homelessness.
Read a newly published excerpt adapted from the opening pages of Time’s Echo.
Recent segments from NPR, NBC, the BBC, Gramophone Magazine and more.
“Time’s Echo offers the same kind of immersive experience that [Eichler] encourages us to explore in music. His beautiful meditation on the dark shadows that compelled, propelled and ultimately haunted classical music in Europe during and after World War II inspires our ears.”The New York Times